Wedding Friday

Our wonderful week of wedding festivities flew by, and I found myself consumed by work and other obligations before I had finished blogging about the wedding day itself. So here goes.

Sanna and Madhavkrishna tied the knot at the Shangri La Hotel on Thursday, Jan. 31. Tony and I arrived on time, having missed ceremonies and performances Monday and Wednesday in our attempt to be fashionably late. At the hotel, we were directed to follow the lime green carpet to a spot where Sanaa’s family lingered excitedly. They encouraged us to stand with them to receive the “baraat.” The entrance to the venue featured musicians playing a drum (called a dhol) and an auspicious traditional oboe (called a shehnai).

Posing with the musicians in my borrowed sari.
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The baraat is a procession that brings the groom to the wedding venue. We’ve seen many of these processions around Delhi, often with the groom riding a white mare and accompanied by drummers and dancers. In this case, the groom arrived in a golf cart, preceded by a row of men carrying paintings of Hindu gods, and surrounded by revelers. His close male friends and family members sported bright orange turbans, while those on the bride’s side wore burgundy turbans. We later found out the turbans were a sign of honor, so we were touched that Sanaa’s brother, Karan, placed one on Tony’s head.

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When the baraat arrived, we watched Sanaa’s parents greet Madhav’s parents and other relatives ceremoniously with garlands.

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After all the groom’s guests had proceeded to the huge tent, the bride’s mother Alka started looking anxious. She craned her neck to see the hotel’s entrance, and then told us it was time for Sanaa to make her entrance. Finally, she emerged under a veil of flowers, flanked by her brother on one side and a girlfriend on the other. They walked her to a stage in the tent, where she and Madhav exchanged garlands.

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Researching the rituals of an Indian wedding is like trying to categorize India itself. The answers only lead to more questions. Hindus from different regions celebrate in different ways. At one point, even Sanaa’s brother couldn’t tell me what was going on. Sanaa’s parents sat with Madhav for quite a long time, following the priest’s directions, which included sprinkling various things on the groom’s hands and feet. I snapped a few photos, but I had no idea what I was shooting. After awhile, Sanaa was escorted over to join them, and a number of other rituals took place, some involving her beautifully hennaed feet.

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Next, they performed “pheras,” circling a pious fire seven times. According to Wikipedia (which aligned with several Indian culture websites but with better English):

1. In the first round or phera, the couple prays to God for plenty of nourishing and pure food. They pray to God to let them walk together so that they will get food.
2. In the second round, the couple prays to God for a healthy and prosperous life. They ask for the physical, spiritual and mental health from God.
3. In the third phera the couple prays to God for wealth. They ask God for the strength for both of them so that they can share the happiness and pain together. Also, they pray so that they can walk together to get wealth.
4. In the fourth round the couple prays to God for the increase in love and respect for each other and their respective families.
5. The bride and groom together pray for the beautiful, heroic and noble children from God in the fifth step.
6. In the sixth holy round around the fire, the couple asks for the peaceful long life with each other.
7. In the final seventh round the couple prays to god for companionship, togetherness, loyalty and understanding between themselves. They ask God to make them friends and give the maturity to carry out the friendship for lifetime. The husband says to his new wife that now they have become friends and they will not break their friendship in life.

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Congratulating the proud papa.
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Jasmine and marigolds everywhere!
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We left after the three-hour ceremony but before the dinner. (It was a school night!) Tony and I both feel deeply honored and grateful for the opportunity to participate in this gorgeous cultural experience, and we wish a lifetime of happiness to Sanaa and Madhav.

Sangeet Wednesday

If we felt confused about the mehendi party on Monday, this day was no different. The invitation said “Sangeet” and the bride’s mother had explained that it was the engagement party. An engagement party the day before the wedding? Clearly more research was needed. A google search yielded heaps of conflicting information, so once again it was trial by fire. In retrospect, this wedding planner’s website offers a Sangeet description similar to the one we attended Wednesday for Sanaa and Madhavkrishna. Bottom line: the Sangeet is a big party.

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Indians are not known for their punctuality. Apparently, members of the wedding party don’t know that. Tony and I didn’t want to be the only ones at the Sangeet, so we arrived at the Shangri-La Hotel ballroom about an hour late, unfortunately missing the ceremony. (Who knew there was going to be a ceremony?) We were told the bride, Sanaa, sang and danced, and other family members performed skits. Dang it! We got there in time to see Sreeram, winner of Indian Idol’s 5th season, though. He seemed disappointed at the empty dance floor. (I didn’t find out till later he was so famous, or I would have taken more photos.)
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We greeted Sanaa and Madhu. I felt like a fluttery nervous schoolgirl in the presence of a princess.
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I asked to see Sanaa’s mehendi, and she pointed out her fiance’s name painted on one hand and his initial “M” hidden in the henna swirls of the other hand. The groom-to-be is supposed to search for his hidden name in a romantic little game. This photo is blurry because the bossy handlers were rushing me.
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After mingling a bit, we followed the crowd to a large veranda, where dinner was being served. I couldn’t take my eyes off everyone’s clothes long enough to eat anything.
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With help from friends, I dressed more appropriately for the Sangeet, borrowing this gorgeous anarkali from Nancy, the gold shawl from Deepa, and the purse from Katrina.
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Mehendi Monday

As we wrap up a week of wedding festivities, I hardly know how to start writing about it. Like everything in India, the events were hard to process at the time.

Our landlord, Ashwani, and his wife, Alka, live downstairs with their daughter, Sanaa. Sanaa completed a master’s degree in England last year, returned to work in Delhi and recently announced her plans to marry childhood friend, Madhavkrishna. The proud parents invited us to three of the celebrations: Mehendi on Monday, Sangeet on Wednesday, and the wedding ceremony on Thursday. This was our first wedding in India, so we had absolutely no idea what to expect.

Workers draped the entire house in lights, and enclosed the courtyard with orange and gold fabric, woven to create a roof and walls. Garlands of marigolds and jasmine adorned the courtyard and stairwell.
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Last week, I had a quick chat with Alka, mother of the bride. I was feeling anxious about what to wear to these events, and Alka calmly assured me that whatever I wore would be fine. (Note to all Indian women: You do foreigners a big disservice by acting so nonchalant about such things. Please, I beg you, give us explicit instructions about how to comply with your cultural norms.)

Alka told me a “suit” would be appropriate for Monday’s mehendi party. “Suit” does not imply an Ally McBeal mini-skirt and jacket, as it did in the States back in the days I actually wore business suits. In India, a suit is a long top with blousy pants. This outfit ranges from relatively casual embroidered cotton to flowy embellished chiffon. With that in mind, I planned to wear my gray silk kurta (long top) and mauve choridar (tight-legged pants that gather at the ankle). Fortunately, I sought advice one more time from a cousin visiting from the States for the wedding. “It’ll be pretty fancy,” she said.

Panic set in. Right after school, I dashed off to Sarojini Market and popped in to a tiny dress shop. The salesclerk plopped one kurta after another on the counter, but my brain froze. I didn’t even know what to ask for. Finally I blurted, “I’m going to a mehendi party TONIGHT!” He swept all the kurtas off the counter and said, “Come in.” At the back of the shop, he started pulling packages off the shelves, whipping the brightly-colored garments out of the plastic and piling them in front of me. “This is the latest fashion,” he said. I picked one, tried it on over my dress, and realized it needed a little altering.

“Ten minutes,” the shopkeeper said. He then walked me around the corner to a bangle shop, which was packed with ladies. The bangle man stood behind a glass display case, surrounded by thousands of bangles in every size, color and degree of bling. Each lady in turn placed an item of clothing on the counter, and he quickly darted around his tiny space, pulling bracelets off the shelves and yelling requests to a worker in a storage space upstairs, who lowered bags of bangles through a hole in the awning. The banglemeister shuffled the delicate bracelets like cards, masterfully color-coordinating and arranging them on a wooden dowel, which he then held up to the light to dazzle the customer. I waited about 30 minutes for my turn. In the meantime, Tony had brought my perfectly altered dress (called an “anarkali”), so taking my cue from the Indian ladies, I placed it on the counter. Bangle Man gently felt my hand to determine the size and then flitted about, collecting fuchsia, black, green and gold bangles of varying widths and flashiness. I bought 20 bangles for each arm, which turned out to be excessive, but I couldn’t resist!

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Tony was an extremely reluctant chaperone on this night because his Indian colleagues at school had told him this was a ladies-only event. In fact, my online research supports their claims. Based on what I read, I was expecting an intimate but lively evening with ladies sprawled out on cushions, offering marriage advice to young Sanaa while classical musicians played in the background and mehendi artists painted henna designs on our hands. However, father-of-the-bride Ashwani explicitly invited Tony to the mehendi party. See why confusion is our constant companion in India?

The mehendi party took place at a hotel, and the minute we stepped into the foyer, I knew we were out of our league. Far from intimate, the hotel ballroom filled with more than a hundred guests. My new anarkali felt extremely casual among ladies draped in saris and dripping with jewels. Feeling self-conscious, I quickly left the crowd to get my hands painted. The one fabulous part of my outfit – the glittery bangles – only made a brief appearance, as I had to remove them for mehendi. For most of the night, I walked around with wet henna, unable to hold a glass or eat any of the appetizers. While Tony took advantage of the open bar and omnipresent strolling waiters, I let go of my wardrobe worries and chatted with other guests, trying not to smear the mehendi. Eventually, I brushed off some of the crusty dried henna to sample the snacks and wine, but I learned my lesson. The more experienced wedding-goers explained that I should only get one hand painted next time to free up the other hand for eating and drinking.

The bride’s brother, Karan, gave a sweet speech about his little sister, and the crowd began to dance.

Tony and I felt humbled by the family’s kindness and inclusive spirit. We never stood alone or felt left out, and we enjoyed interesting conversations with visitors from all over the world, including Denver, San Francisco, Singapore and other cities in India. Shortly before midnight, we said our good-byes.
“You’re not staying for the dinner?” people asked.
We didn’t even realize they were serving dinner! But, no thank you, we told them. It was already way past our bed time on a school night, and we knew it was going to be a long week.

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I brushed off the dry mehendi a bit prematurely, and I didn’t coat my hands in oil before going to bed, so the henna design isn’t as vibrant as it otherwise would have been. Still fantastic, though!
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This is a bad photo taken with Tony’s phone while I was trying not to mess up my hands, but I wanted to show Sanaa’s beautiful orange sari. She and her groom-to-be were watching the entertainment.
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