Tag Archives: New Delhi

Old Delhi by Rickshaw

When we lived in Laos, I often cycled to to the countryside for a genuine slice of life. Saturday morning Tony and I decided to seek out a slice of life in Old Delhi, but we left the pedaling up to our new buddy Iqbal.

Our apartment is in a relatively quiet suburb of NEW Delhi, which is quite distinct from OLD Delhi. I am generally an adventurous traveler, but I have to admit the trailer for “Slumdog Millionaire” (yes, I’m the only person on the planet who hasn’t seen the whole film) had me feeling squeamish. Plus, my friend Sandra ventured into the bowels of Old Delhi last week and returned a bit traumatized by the smells. If the street kids banging on my taxi windows in NEW Delhi make me uncomfortable, imagine the power wielded by the throngs of beggars in OLD Delhi. Thus, we’ve lived in this city for three months, and we hadn’t ventured far from home … till Saturday, when we took the metro into the city.

Sidebar: This was also my first time on the Delhi Metro! Easy, clean, cheap … but unfortunately, no stops close to our house. Still, I would rather take a short taxi ride to the metro stop and stand in an air-conditioned metro car for 40 minutes than suck fumes in a sweltering taxi boxed in by stagnate traffic.

We took the metro to Chandni Chowk, a major street that runs through the walled city of Old Delhi, and met Iqbal the Rickshaw Driver in front of the Sikh Temple. He was dressed for success in a pinstriped shirt and brown slacks, and he barely broke a sweat pedaling us through twisted, crowded, colorful alleys. With no real agenda, we let Iqbal call the shots.

In the early morning, the streets were busy but not packed. He maneuvered his rickshaw through the traffic and parked at the Khari Baoli – a street featuring Asia’s biggest wholesale spice market, which dates to around 1650. We climbed out the rickshaw and up several flights of stairs for a bird’s eye view of the adjacent Fatehpuri Mosque. On the roof, huge vats of rice and curry cooked over an open fire to be sold by street vendors later in the day. (Note to self: Don’t eat street curry.)

Wandering around the ancient market, we posed with bursting burlap bags of chili peppers, and I experienced a massive convulsive sneezing fit.

Back at street level, we checked out the wares of various vendors, but our cupboards are presently well-stocked with dried fruits and nuts, which are traditional Diwali gifts.

Next, Iqbal steered the rickshaw into the getting-busier passageways and markets branching off Chandni Chowk. Rocking over broken pavement and swerving around pedestrians, all sorts of vehicles and goats, we struggled to capture our experience in photos. I loved the sari shop that “deals in ALL KINDS OF FANCY.” Full disclaimer: This slideshow is full of blurry, poorly composed shots, but that’s pretty much how the ride felt.

Here’s a shorter slideshow focusing on the state-of-the-art power lines serving this part of the city.

After pop-a-wheeling down “silver street,” “sari street, “wedding street” and other niche markets, Iqbal pulled over and told us to step out. He heaved the rickshaw over a short barrier and through a doorway to a peaceful alley with brightly painted doorways.

We were visiting a Jain temple. In a city with predominantly Muslim antiquities and a present-day Hindu vibe, it’s fun to stumble upon a fresh perspective. Upon entering the temple, we were handed a slate with the “rules.” One rule was “no photography” … so I couldn’t take a picture of the rules. I do recall that I wasn’t allowed upstairs if I was menstruating, and we had to remove anything leather (so Tony took off his belt). We had to visit the temple sink to wash our hands and rinse out our mouths (I faked that part), as well. Eventually, a priest took us up the steep marble stairs, where an elderly man in a white loincloth used a mortar and pestle to smash a paste of saffron and sandalwood. The priest blessed us with a smear of the paste between our eyes and pointed out the similar smears on all the statues. The paste is one of eight symbolic offerings, which the BBC nicely details in the online article Eightfold Puja.

Like I said, photography was prohibited, which was a shame because for a religion with a strict minimalist tradition, this temple shimmered with gold (not gold leaf, the priest emphasized), silver, carved marble, dazzling mosaics, fine paintings and other photo-worthy decor. Somehow, the guy who writes The Delhi Walla managed to snap pictures throughout the temple. So rather than describe everything, I’ll just oppress my blog envy and refer you to his site.

After making a donation to the temple and tipping our priest, we reboarded the rickshaw and rattled straight into a traffic jam. We baked in the sun with a car-horn cacophony for about 10 minutes before telling Iqbal to skip the Jama Masjid, the largest mosque in India, which we’ll be sure to visit another day. Eventually, he returned us to the metro. On the morning trip, I had joined Tony in the unisex car. The afternoon trains, however, were packed, so I opted to avoid the lewd looks and potential gropes from creepy men and instead threw my hat in the ring with the ladies. I happily hopped aboard the “Women Only” car, and the glass doors trapped me inside with an ominous hiss before I realized that with ladies come babies, whiny toddlers and rambunctious pre-schoolers. Can’t they introduce the “Self-Righteous DINK” car? I would be all over that.

Oh, the smells? Unremarkable. In fact, other than the sneeze-inducing chili dust, we mostly inhaled mouth-watering scents wafting out of restaurants. The beggars? Not at all scary. I gave a bag of cashews to two little girls hanging out at the metro station because they were cute, but nobody harassed us. Maybe we were just having a lucky day.

Persistence pays off at India Habitat Centre

The India Habitat Centre is supposed to be THE place for cultural events in New Delhi, so Katrina and I decided to check out the Delhi Photo Festival there.

We found the “information office,” which I encourage you to say while making ironic quotation marks with your fingers.
Me (with a big friendly smile): Hi! I saw on your website that there is a guided walk through the Delhi Photo Festival today. I was just wondering what time that will take place.
Information Office lady (with a surly frown): There is no walk.
Me (smaller smile): Well, I saw it on your website. I think it might have been added recently because it had a yellow-highlighted, all-caps “latest news” headline.
Crabby lady: There is no walk.
Me (head cocked, forced smile, gesturing at her computer): Maybe you could just open up your website there…
Crabby lady (bangs on her keyboard and then turns away to answer the phone): Sigh…
Me (turning the monitor so I can see it): Yes, see, there it is in all capital letters – LATEST NEWS. The curator is leading photo walks. See it says, “great opportunity to understand the thinking behind the Festival and the photographs on display.” But there’s no time listed.
Crabby lady (refusing to acknowledge the screen): You have to go to the Visual Arts Office.

Instead, we went to lunch at the Eatopia food court. (Side note: One of the food court eateries is called Wild Willy’s Western and its counter is decorated with American pioneer paraphernalia, such as cowboy hats, spurs, holsters and guns. Nothin’ says “wild west” like that ol’ wrangler favorite, The Naanza™ – Tandoori Chicken or Paneer Tikka on a Tandoori Naan base.)

After lunch, Katrina had to leave for a doctor’s appointment, but I toured the photo festival on my own. The IHC is a huge complex of buildings with shady courtyards, small outdoor performance spaces, and wonderful little nooks full of artwork.

There were several engaging photography collections, such as this one by renowned Indian photographer and photojournalist Raghu Rai.

Having just immersed myself in Gandhi’s story earlier in the day, I was especially intrigued by the photographs of his grandnephew, Kanu Gandhi.

While popping in and out of the different exhibits, I accidentally discovered the Visual Arts “Office” (more ironic finger quotes), which consisted of a table in one of the galleries.
Me: Excuse me, can you tell me when the curator is leading the photo walk?
Helpful Visual Arts Office man: Five O’clock! Hope you can join us!

That was still a couple hours away, and I had already done my own photo walk, so I decided to skip the tour. Before leaving the IHC, however, I stuck my head in the door of the “Information Office” and said with a super huge friendly smile, “Helloooo! It’s me again! Just in case somebody else comes in and asks about the photo walk, it’s going to be at 5 o’clock! ‘K, byeeee!”

At the risk of dwelling TOO much on the IHC’s lack of customer service and/or marketing savvy, I have to say it is not easy to plan ahead in this country. I subscribe to the local newspaper AND the bi-weekly Time Out Delhi magazine, but it seems many events I would like to attend are top secret and poorly promoted. While noshing on my chicken biryani at Eatopia, I checked out the IHC events calendar and discovered a concert scheduled for the next day: “Reflections of Kabir in Gandhian Philosophy and African Ubuntu,” which I had not seen advertised anywhere else. With my brain all full of Gandhi and his ties to both India and Africa, I decided to attend.

Katrina, Tony and I met up with my friend Gopa and her family at the IHC’s Stein Auditorium, which was filled to about half capacity, for the FREE concert Friday night. Turns out (a) Gandhi’s philosophies and African gospel music both echo the teachings of Kabir, a 15th-century Sufi saint and poet; (b) Robin Hogarth, a Grammy Award-winning producer, auditioned high-school students in South Africa to participate in this project and brought a choir of seven children and two teachers to India for a month; and (c) Hindustani classical vocalist Sumitra Guha and her troupe had only one week to rehearse with the kids. The Indian and African styles melded beautifully; I actually teared up several times. The most powerful part of the concert for me was when the singers ended one of the songs in typical yoga style – “om shanti” three times.

Here the African choir sings a protest song that was banned for awhile in South Africa.

Eternal Gandhi

I’m having a hard time getting started on my post about the Gandhi Smriti and Eternal Gandhi Multimedia Museum. So many emotions surfaced during my visit to the place where Mahatma Gandhi was assassinated; how can I harness them to write about it? Most brain-freezes will thaw with the making of a list, so here goes.

Things I Felt at the Museum
Awe – I knew Gandhi had been a powerful force in India, but I hadn’t realized how far-reaching – geographically and philosophically – his influence was. The museum features comments and film footage from esteemed world leaders in politics, education, science, social welfare and more – including Martin Luther King, Nelson Mandela and Albert Einstein.
Grief – Seeing the movie or reading books about Gandhi cannot compare to standing in the spot where he was gunned down on his way to pray.
Fear – It seems too easy for the extremist minority to destroy the dreams of the moderate majority. This theme has played out so many times in history, and I worry that it’s happening today in the States.
Understanding – A somewhat cheesy collection of dioramas clarified the major events in Gandhi’s life. For example, he had been working as a lawyer in South Africa when authorities kicked him off a train for sitting in the “whites only” compartment. This, combined with other indignities he experienced there, was apparently a life-changing catalyst for him to embrace social activism.
Humility – A pair of simple sandals at the museum affected me deeply. Gandhi had made the sandals while in prison and presented them to Gen. Jan Smuts, an adversary who advocated racial segregation in South Africa. In 1939, when Smuts was Prime Minister of the Union of South Africa, he returned the sandals in honor of Gandhi’s 70th birthday with the following message: “I have worn these sandals for many a summer, even though I may feel that I am not worthy to stand in the shoes of so great a man.”
Wonder – While I appreciated the old-school panels with photos and text, dioramas, and artifacts downstairs, I was unprepared for the cutting-edge fusion of technology, art and education that we encountered upstairs. According to the Eternal Gandhi Multimedia Museum’s brochure, the project’s tradition-based interactions with classical symbols, sacred objects, collaboratively created artworks, collective chanting and more “inspire a rich panorama of tactile interfaces that allow people to access the multimedia imagery and multidimensional mind of Gandhiji.”

I guess it would be fair to say I was a bit overwhelmed.

The Gandhi Smriti is housed in the Birla House, the former home of a New Delhi businessman where Gandhi spent the last few months of his life. “Smriti” is Sanskrit for “that which is remembered.” The house and gardens include footsteps to mark Gandhi’s last walk to prayer, the living quarters that have been untouched since his death in 1948, the diorama exhibit and many interpretive panels with hundreds of photos.

The Eternal Gandhi museum fills the second floor of the Birla House with amazing exhibits. Please visit the Eternal Gandhi Multimedia Museum website for details on the brilliant and powerful interactive displays. Here are some photos, but they really can’t capture the fascination inspired during my visit.

One installation offers scenes of Gandhi’s life in prison. During that time, he wrote his autobiography, which unfolds digitally in his own handwriting on the floor of the prison cell.

D-Block Diwali

We live in a southern New Delhi neighborhood called Vasant Vihar, which is split into several blocks. Ours is D like Delhi. Knowing Diwali night traditionally calls for excessive fireworks, we opted to stay around D-Block. To be more specific, we opted to stay on our sofa with an occasional foray to the balcony. Tony tried a few times to grade papers, but ultimately the explosions and high-pitched whistling of wayward firecrackers sent him back to the couch. We were slightly embarrassed when our landlord’s daughter came upstairs decked out in turquoise chiffon and sequins to bring us small oil lamps called “diyas.” Wearing sweatpants, an old T-shirt and glasses, I followed her out to our balcony, where she placed them on the railing. Downstairs, her mother positioned more lamps along the garden wall.

Lights are key to attracting Lakshmi, the goddess of wealth. People leave electric lights on inside, string more lights on the outside of their homes, and fire up numerous diyas, which are placed inside and outdoors, in hopes that Lakshmi will visit and bring prosperity and happiness for the coming year.

Here’s another take on the illumination tradition from the diwalicelebrations website.

According to Ramayana, Diwali commemorates the return of Ram, an incarnation of Lord Vishnu and the eldest son of King Dasharath of Ayodhya, from his 14-year exile with Sita and Lakshman after killing the Ravan, a demon king. The people of Ayodhya illuminated the kingdom with earthen diyas (oil lamps) and fireworks to celebrate the return of their king. … Twinkling oil lamps or diyas were there in every home and fireworks were there too. Great celebrations were held and everyone was happy for Rama to be the King of Ayodhya. This celebration took place on the night of the new moon of Ashwin (October-November). The tradition and the timing continued to be followed even these days. Even today Diwali celebration means happiness, fireworks and sweets. Thus the festival of diwali is in honour of Rama’s victory over Ravana. Among all the legends of Diwali this one is the most believed one.

I made a little video about our evening.

Lotus Temple – Bahá’í House of Worship

Weary of wars in the name of religion and disillusioned by the hypocritical behavior of so-called Christians in America, I visited New Delhi’s Bahá’í House of Worship yesterday both in search of a fresh perspective and to admire its architecture. The building was designed to resemble a lotus flower, so locals refer to it as the Lotus Temple.

Photo courtesy of www.bahaimedia.org.

Along with my friends Katrina and Sandra, I checked my shoes at the entrance and walked barefoot up the steps. A woman greeted us in English and gestured for us to join the line. We were the only foreigners in a small crowd of elderly pilgrims who seemed to have come from a different part of the country. The women wore simple colorful cotton saris, and the men dressed mainly in white with long tunics and loose pants or sarongs. As we stood outside, the hostess reminded us that silence was imperative inside the hall. She gave a heartfelt speech about prayer and encouraged us to pray or meditate for as long as we wanted. After repeating the speech in Hindi (I assumed) and pressing his index finger to his lips to hush us, a man opened the doors. We filed in to a huge hall with little ornamentation other than a few plaques featuring Bahá’í quotes and two large flower arrangements at the front lectern. Rows of wooden pews with white marble benches filled the hall, so we took a seat and allowed the tranquility to sink in. Quiet is not an easy thing to find in New Delhi, so this was a special treat. The lotus-petal walls reached up around us while arched perimeter windows filled the hall with natural light.

Photos courtesy of www.bahaimedia.org.

I looked up at the sunburst at the top of the dome. The symbol inside featured three parallel lines intersected down the middle by another line and flanked by two stars.

According to Bahá’í Faith, the official website of Bahá’ís in the States, the symbol “serves as a visual reminder of God’s purpose for man, and for Baha’is in particular. The top horizontal bar represents the world of God, the Creator. The middle bar symbolizes the world of His Manifestations, unadorned. The bottom bar represents the world of man. The vertical line joins the three horizantal bars together in the same way that the Divine Messengers of God form the link between the world of God and the world of man. The twin five-pointed stars on either side of the design represent the Bab and Baha’u’llah, the twin Messengers of God for this age.”

After awhile, we wandered back outside and down the stairs to the pools that represent the floating leaves of the lotus. Panels displayed information about Bahá’í philosophies, which were refreshingly inclusive. Although I approach all organized religion with a dose of skepticism, many of the basic principles resonated with me:
* The essential harmony of science and religion
* The common foundation of all religions
* Universal compulsory education
* Equality between men and women
* Elimination of prejudice of all kinds
* The abolition of the extremes of wealth and poverty
* Spiritual solutions to economic problems

For more details, check out the Bahá’í Faith website, which has an excellent section with Frequently Asked Questions.

The Lotus Temple’s website also features interesting information, a video tour and fascinating details about the architecture and construction. It says more than 70 million people have visited the Lotus Temple since its dedication in 1986. Up to 10,000 people come every day! We were fortunate to get there early and avoid the crowds.

After a peaceful exploration of the prayer hall, we reclaimed our shoes and meandered through the information center, where an excellent display of artifacts and interpretive panels further illuminated the Bahá’í religion. Unfortunately, photography was prohibited inside the prayer hall and information center.

At the entrance.

Bags for shoes.

People leaving the prayer hall.

Standing at the prayer hall and looking back at the information center. Haziest sky we’ve seen in New Delhi so far.

Reclaiming our shoes.

I’ll wrap up this post with a quote from Bahá’u’lláh, who encouraged his devotees more than a hundred years ago: “Consort with the followers of all religions in a spirit of friendliness and fellowship.” A good lesson for us all, indeed.

A Taste of Diwali

Hindus and others across the city are gearing up for one of the most important festivals of the year – Diwali. The five-day celebration officially kicks off on Oct. 24, but we got our first taste of the festivities on Saturday. Organized by Saheliya – a group of Indian parents at our school, Diwali Night featured a dinner buffet, traditional dance performances, loud DJ music, endless colorful lights and fireworks.

Flower petals lined the path to the event, and drummers greeted us as we passed this “rangoli.”

Approaching the event, which took place on the sports field.

We hadn’t even passed through the entrance before this little band of entertainers encouraged us to “dance, dance!”

Hard to resist.

Stilt walkers paraded around with someone’s kid.

Tony in his kurta and me in my lehenga. I love playing dress up!

So festive!

Ground-level explosions were followed by fireworks shot from the elementary school building’s roof.

A “kids corner” offered crafts and other diversions for the children. This young lady seemed a bit surly about my request for “mehendi.” I don’t speak Hindi, but there was no mistaking the eyeroll she shared with her friend. Translation: “Seriously? This is supposed to be for kids. How annoying.” She clearly wasn’t at the top of her game.

Even the little Japanese girl who was next in line could see it was a pathetic job.

Me and my ladies!

Here’s a little tidbit about Diwali, according to diwalifestival.org:

Diwali is celebrated on a nation-wide scale on Amavasya – the 15th day of the dark fortnight of the Hindu month of Ashwin, (October/November) every year. It symbolizes that age-old culture of India which teaches to vanquish ignorance that subdues humanity and to drive away darkness that engulfs the light of knowledge. Diwali, the festival of lights even to-day in this modern world projects the rich and glorious past of India.

a very very very very very very very busy day

(Note: It’s been brought to my attention that not everybody realizes the brown text in my posts are LINKS, so click them, people! Also, for some reason, this blog theme won’t let me do italics. It kills me that I can’t italicize foreign words or book titles, but I can’t be bothered with changing my theme. -S)

There’s a slight chance that I may have a teeny little problem with overbooking myself. Saturday was a prime example.

After an exhausting week at school, I rose early for a walking tour with Surekha (of Delhi Metro Walks) through a few neighborhoods in South Delhi: Hauz Khas Enclave, Gulmohar Park, Mayfair Gardens and Padmini Enclave. Five other teachers went on the tour, including my friend Katrina, who was celebrating her birthday (and who, incidentally, is my new shopping BFF, but more on that later…).

We began our tour near Kharera Village, which has retained its protective walls. Uncontrolled urbanization has led to demolition of similar walls, so Kharera is the only former village with its entire enclosure wall intact. Apparently a single family has taken over the area for farming. Strange to see a modern air-conditioner unit installed on a 500-year-old wall.

This walk happened to be in Surekha’s own neck of the woods, so we took a quick detour to visit her home. She showed us the expansive lounge area that opened to a quiet private garden, all designed by her mother.

Back on track, we soon encountered the Nili Masjid, which translates to “Blue Mosque.” Completed in 1506, the mosque got its name from the blue tiles over the lintel. The reassuring red sign of the Archaeological Society of India means the mosque has been targeted for restoration.

These little girls couldn’t stop staring as we snapped photos of the mosque and bael trees heavy with softball-sized “stone apple” fruit. Katrina offered a granola bar, which the girls eagerly dashed off to eat.

Strolling through Gulmohar District Park, we came upon the Mosque of Darwesh Shah … and this guy carrying a rifle. Nobody batted an eye. I chose to believe he was on his way to gun-safety class.

I found two interesting newspaper articles about this wall mosque. Both were published last summer.
The Times of India article mostly quotes locals criticizing the restoration work, while the story in The Hindu provides some musings on the site and its namesake.

After exiting the park, we paused to sample some fresh water chestnuts and check out the in-season veggies while this man sipped a drink on his overloaded motorbike.

Other street scenes.

Despite a deep appreciation for fragrant trees, shady lanes and urban green spaces, botanical discourse makes my eyes glaze over. Katrina felt the same, as captured here during one of many stops to identify the area’s flora. The group gathered around Surekha and her illustrated book of Delhi’s vegetation.

Passing through the Mayfair Garden district gate, we were met by Neera Misra, a social entrepreneur who founded Draupadi Trust. The non-profit organization “derives its name and strength from the mythohistorical Draupadi, who was born in this District (Village Kampilye) and was the epitome of sacrifice for the sake of the family. A woman of tremendous strength who rose above every adversity,” according to the Draupadi Trust website. Misra said Draupadi was the “first woman to raise her voice against injustice,” and she explained that the organization strives to empower women and youth while blending heritage and modernity.

Misra led us on a quick tour of a Sufi saint’s crumbling tomb, which her organization has recently adopted for restoration. The tomb of Makdum Saheb features 12 pillars allegedly taken from Hindu temples and sits on the idyllic grounds of a Tughluq-era (1300s) mosque.

Misra explains the significance of the site.

Next stop: Chor Minar, which translates to “Tower of Thieves” and served as a beheading hotspot. I read a lot online about this creepy 13th-century tower, and I liked the write-up on the Delhi Information website. Check it out.

Maybe it’s too hard to see in this pic, but green Alexandrine parakeets (which are huge) were swooping between the tower’s severed-head holes and nearby trees.

Next, Surekha walked us across the street to an “idgah,” an open-air mosque visited by the masses on holy days, such as Eid al-Fitr. This one was built in 1404 by the last sultan in Delhi.

As we entered another neighborhood, we spotted this sign offering solutions for those who find the gate padlocked. Why bother with #1 or #2 when #3 offers instant gratification?

We ended our walk at Tree Tops, a bed and breakfast operated by historian and prolific author Murad Ali Baig. Standing around a table in the foyer, we gobbled up a savory breakfast of idli and coconut chutney (delicious!), washed down with salty lime-ade flavored with black salt that gives off an unfortunate sulphur smell.

Murad then invited us into the lounge, where he shared some of his thoughts on the accuracy of India’s reported history. Although I can’t reproduce the enlightening and articulate anecdotes, I can sum it all up. In a nutshell, he advised us to be discriminating students of history in India and elsewhere, noting that most of our historical understanding stems from a storytelling tradition with a tendency to exaggerate or embellish. Despite the soporific effect of resting on a comfy chair with a full tummy in a cool room, I found his insights fascinating and his passion inspiring enough to purchase his book, 80 Questions to Understand India – History, Mythology and Religion (available at amazon).

As the gathering broke up, Katrina and I caught a tuk-tuk to Hauz Khas Village, a labyrinth of clothing boutiques, antique stores, jewelry shops and other components of paradise. I was on the hunt for a dramatic outfit to wear at next weekend’s big Diwalli celebration taking place on our school’s campus. We enjoyed a rooftop lunch at a lovely restaurant and then popped in to a few boutiques. In one shop, I modeled some glam creations over my own clothes.

I loved everything, and – surrounded by acres of swishing tulle and blinding sequins, all sense of logic went out the window. At one point, I called Tony to ask if I could by a skirt for $600 (which included a little top and hand-embellished scarf). Bright orange, floor-grazing and stunningly bedazzled, it swirled in Bollywood drama when I sashayed across the shop. Did I mention it was bright orange? With visions of tit-for-tat Bose speakers floating through his head, he said, “Sure, baby, if you want it, go ahead and get it.” I hung up in a daze while Katrina flipped through the racks of dresses. “Hey, Katrina,” I said, desperately seeking validation for this purchase. “Could I wear this to school?” She looked me over and then shot me one of her characteristic scary looks. “No,” she said with one raised eyebrow. That verbal face-smack brought me back to reality. I half-heartedly removed the skirt of my dreams and handed it to the clerk before slowly pulling out another “lehenga” from the colorful collection. Katrina said definitively, “That’s it!” And it totally was. I had flashbacks to wedding dress fittings; I felt like a princess. The skirt fit perfectly, but the top was a bit big, so they’ll alter it and have it ready later this week.

Can I wear THIS one to school? Hmmm…

At one point, the shop owner took us up a few flights of stairs to see the workers hand-stitching beads and sequins onto her glorious designs. She said this piece would take six weeks to finish, and it was just the SCARF that goes with that $600 outfit! No wonder it costs so much. I was surprised to see the workers were men. The work was agonizingly tedious.

There is nothing like a retail high, but Katrina and I were ready to head home. We just had one more stop to make: a tailor shop, where she had some dresses made. But the path to the tailor was littered with more ancient monuments. We would take five steps and then sigh with exasperation because you can’t just walk by a 700-year-old building and NOT take a picture. Here’s what we saw before finding the tailor shop.

After all that excitement, I went home, changed into my jammies and crawled into bed … no wait, that was just a dream. I actually changed into my jammies and went to a BIRTHDAY PAJAMA PARTY in honor of Becky, Kate and Katrina. I was so exhausted, I could barely stand up and maintain eye contact with people. I lasted just over an hour before walking around the corner to my house and REALLY crawling into bed.

Nancy was clearly impressed that I wore my retainer for authenticity.

These are the (boring) days of our lives

This post is for those of you who keep insisting that Tony and I are SO brave to live overseas and SO adventurous to immerse ourselves in a different culture.

It’s true, every day really IS an adventure, full of small but interesting experiences. Our morning taxi ride to school, for example, is a bumpy, swervy, death-defying experience full of cow-dodging, speed-bump-soaring, pothole-pounding, horn-honking lunacy that we hardly even notice anymore. And it’s true that we have interesting cultural opportunities on the weekends and over school breaks. However, our days are generally filled with mundane tasks and routines, not unlike those of teachers in the States.

Here’s a typical “day in the life” of Sharon and Tony …
6:32 a.m. – Kapoor pulls up in his taxi to drive us to school.
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6:46 a.m. – We greet the American Embassy School gate guards and walk to our respective buildings.
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8:30 a.m. to 3:35 p.m. – Tony sometimes gets breakfast (and frequently gets snacks) at Open Hand Café, which is just inside the gate on campus. He teaches grades 9 and 12 on alternate days, attends meetings, works in the English Office and meets with students during his breaks and lunch.
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I work with third-grade English learners in three different grade-level classrooms every day, teach World Language English to eight third-graders every other day, attend lots of meetings, and try to eat lunch outside whenever possible.
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One thing I DON’T have for the first time in my teaching career is playground supervision responsibilities! It IS a nice playground, though.
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After school – Tony often has more meetings and/or piles of papers to grade after school, but he occasionally drags himself to the fitness room for a jog on the treadmill. I go to Hot Yoga on Mondays, play rehearsals for “Beauty and the Beast” on Wednesdays, and technology workshops followed by Zumba on Thursdays. Because the work day includes little down time and because many after-school activities take place on campus or at the American Embassy across the street, I often stay late at school to catch up on emails and plan lessons.

If there’s nothing going on after school, we catch a taxi outside the school gate for the 20-minute ride home. The longer we stay at school, the worse the traffic gets.

Evenings – Thanks god our housekeeper, Raji, makes dinner most nights because it’s not unusual for us to stumble through the door after 8 p.m. Our evening excitement typically includes watching TV till about 9 and then heading to bed.

So that’s it. Jealous? Ha!

Mehrauli Archaeological Park – an urban oasis

Although a 5000-year-old Indian scripture refers to a city located in modern-day Delhi, archaeologists will have to keep digging to find proof. Sites unearthed so far have found signs of Delhi’s urban dwellers in seven successive ancient cities dating to around 1060. New Delhi, as we know it, is considered the eighth. Yesterday, we visited the ruins of Delhi’s first ancient city – Qila Rai Pithora, which extended the citadel of Lal Kot, constructing a walled city with 13 gates.

I had heard the name “Surekha” from several sources, so I got in touch with the founder of Delhi Metro Walks and signed up a group of 11 teachers to join her Saturday tour. We all met at a busy street corner and walked to the Mehrauli Archaeological Park with a brief stop at a square domed tomb, which recently underwent renovation. We veered off the sidewalk onto a dirt path that wound up a hill. No wonder British soldiers used to picnic at this spot; even today the view is lovely. Back then, the forest and hunting lodge must have been a welcome refuge from city life. Inside the mausoleum, intricate finials and traditional patterns decorated the walls. According to an article in The Hindu (India’s national newspaper), the resident of the tomb is up for debate. The tomb’s caretakers migrated to Karachi after Partition forced Pakistani nationals to leave India (and vice versa). “No one remains to help unravel the mystery of the mausoleum,” the article says.

Climbing up to the tomb.

Isaac checks out the view.

Inside the mausoleum.

After back-tracking to the sidewalk, crossing a busy street, and cutting through the debris of a recently relocated flower market, we entered the Mehrauli Archaeological Park. Suddenly the honking and shouting faded, and we found ourselves amidst sun-dappled trees, rolling lawns and a newly planted rose garden. We exchanged curious looks with this little group.

Starting in 1997, the Indian National Trust for Art and Cultural Heritage (INTACH), with funding from the Delhi Tourism Development Corporation (DTDC), has been identifying, excavating, renovating and conserving 42 of the buildings (which represent nearly every era in Delhi’s history) in this 100-acre park. In addition, According to the INTACH website:

50 trail markers, 40 monument description boards, 150 benches and project description boards, together with 2 km of heritage trails were laid down. Both signage and pathways have been built of natural materials such as sandstone and the local quartzite stone employing traditional workmanship thereby contributing to the unique natural and historic character of the area.

Here are some highlights of our tour.
Sir Thomas Metcalfe, who was the East India Company’s resident at the Mughal Court, constructed his 19th-century country house right over the 17th-century mausoleum of Muhammad Quli Khan (an attendant to the Mughal emperor Akbar and stepson of Akbar’s wet nurse). Metcalfe’s dining room was apparently directly over Khan’s tomb, and he further embellished the area with pavilions, a dovecote and a waterway to bring visitors to the estate by boat.

The motorbikes are parked in what would have been the canal. The building was a boathouse, and we walked up the steep steps to the site of the former tomb/country estate.

Work is underway to restore the building to its original state – as a mausoleum, not as a weekend get-away.

The Rajon Ki Baoli is a three-storey stepwell built in 1516.

Many walls, gates, foundations and buildings remain unidentified and overgrown with weeds and trees. The sign marking this one just said “wall” or something like that.

Surekha walks through an archway.

Near the entrance of another tomb.

Inside the mausoleum of Shahid Kahn (son of Sultan Balban, see below), Surekha pointed out the “scrafitti” on the ceiling. I had never heard that word before!

The sun was setting as we approached the tomb of Ghiyas-ud-din Balban, who reigned from 1265-87. Surekha explained that this building is believed to be the first in India constructed with “true” arches. The Speaking Arch is an interesting article that clarifies architectural significance of that arch.

Surekha saved the best for last, but it was pitch black by the time a caretaker unlocked the gate to the Jamali-Kamali mausoleum. Inside the tiny building, we used the flashes on our cameras to light up the colorful, ornate space.

It was so dark, I couldn’t see what I was shooting. When I opened up the pictures on my computer, I decided not to crop out the heads in the interest of perspective.

The tomb of Dervish Shaikh Jamali, a Sufi saint who died in 1536, lies next to that of Kamali, who is assumed to be an associate of the saint’s family.

The mihrab is a nook that indicates the direction of Mecca.

After leaving the Jamali-Kamali tomb, we walked in darkness back to the starting point and – with some help from Surekha – rounded up some tuktuks for a short ride to dinner. We invited our wonderful tour guide to join us, but she had another busy day planned for Sunday and needed to rest.

Our group met up at Thai High restaurant and enjoyed a delicious dinner on the rooftop terrace.