Tag Archives: sari

Old Delhi Walking Tour: Saari, Kinaari, Bazaari!

I own two saris – a turquoise bedazzled number that caught my eye early on in India and which I now realize is cheap and gaudy, and a quality bright-orange hand-spun cotton one I purchased after a special afternoon at Sari School last year. Both sit in a closet, never used. I’ve only worn a sari once, and it was borrowed. Still, I remain entranced by the “unstitched garment.” That’s why I jumped at the chance to poke through Old Delhi’s sari market April 18 with one of my favorite tour guides, Himanshu Verma of Red Earth India, on his “Saari, Kinaari, Bazaari!” tour.

The ad for Himanshu’s walking tour said,

Chandni Chowk, the commercial centre of the city, presents a shimmering spectacle. On this Saree Walk, we will wander into Kinari Bazaar, the wholesale market for fabric trimmings and soak in this most colorful part of the city, where any saree can be accessorized with a relevant trim. A popular destination for bridal shopping, Chandni Chowk also offers us access to an array of Saree shops – from the hand-woven to bling and cheap synthetic sarees.

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Himanshu took us into sari shops, including this tiny space.
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At larger stores, he helped us distinguish between hand-woven and machine-made, traditional and trendy, silk and synthetic sarees. It was all so interesting, but also overwhelming. Rather than shop for my own saree, I far prefer watching Indian women do so. Often, the whole family sits together on low stools while the shopkeeper unfurls the sarees. A baby sits on his father’s lap. A woman holds up the end of a saree to her chest and looks to her sister for approval. A grandmother reaches out to pull a saree closer for inspection while the shopkeeper shakes the next one out of its plastic package. The sarees drape across everyone’s laps and pile up on the table. Soon, the group is swimming in a sea of silk. Mesmerizing.

We also popped into several emporiums stocked from floor to ceiling with rolls of ribbon, lace and trim of every imaginable color and design for adding a kinari – or border – to a saree or other garment. Himanshu encouraged us to buy something fun to jazz up our clothes, and I eyed the collections with plans to add trim to a pair of jeans. In the end, I simply couldn’t commit to anything; I loved it all! However, now that I know where to find this stuff, don’t be surprised if all my western clothes get a touch of Indian flair.
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Our group paused for snacks a couple times at places we never would have tried without Himanshu’s trusted recommendation. This sweets shop offered up delicious milk-based desserts.
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This man, whose little stand was unfortunately located directly across the narrow alley from an open urinal, whipped up golgappas, which are hollow crunchy balls filled with a watery mixture of tamarind chutney, chili, masala spices, potato, onion and chickpeas. He also served one of my favorite Indian street snacks – bhelpuri, a mixture of puffed rice, tamarind chutney and chopped veggies. Despite a momentary hesitation (no doubt triggered by the combination of the urinal smell and the sight of our snack-maker’s bare hands scooping the golgappa balls through the pot of water), we all gobbled up the treats and found them a bit spicy but tasty.
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Eventually, Himanshu led us up a flight of dark narrow stairs to a busy eatery, where people lined up to get fresh bread straight from the tandoor. The breadmaker sat on an elevated structure and reached into the oven with long mental tongs to pull out the hot naan. We ordered paratha, a pan-friend flatbread stuffed with potatoes and spinach. Diners sat on cracked plastic chairs at long rickety tables; this was clearly not a place that catered to the hoity-toity expat crowd. In fact, I doubt any of us could find this place again. I always relish experiences like this, when I get a glimpse into the lives of locals in a way that doesn’t make me feel like a voyeur. It was pretty special, and the food was great!
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The labyrinth of Old Delhi can be daunting with its twisting alleys packed with pedestrians, motorcycles and bicycle rickshaws. Himanshu shared his expertise about the district and the iconic sarees, but he also brought a sense of curiosity and calm to a chaotic place, reminding us of its rich history and current relevance. I can’t wait to join him for another eye-opening tour.

Sari School wraps up my birthday

In my closet here in New Delhi, I have a stunning lehenga with a long full skirt of gold and a low-back fitted top heavy with beads. The sheer saffron dupatta adds an extra touch of glamour. When elegant occasions (or fabulous photo opps with friends) arise, it’s my go-to garment. Other ladies opt for the sari, but my one experience draped in six yards of slippery chiffon filled me with anxiety. Sure, several large safety pins held it securely in place, but I spent the evening worried I or someone else would step on the hem and bring the whole mess down around my ankles.

Sari stress.
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The thing is, my lehenga is almost too fabulous. It’s actually a tad over the top. I feel a tiny competitive urge to understand the sari and its appeal to Indian ladies. Women from all walks of life wear it effortlessly – riding sidesaddle on the back of a motorcycle, swishing through a crowded cocktail party, balancing a basket of bricks atop their heads at a construction site, strolling arm-in-arm with friends, shopping, dancing, driving. I’ve seen young girls playing volleyball in their saris. What’s to fear?

A group of us from AES spent my birthday afternoon learning more about India’s sari tradition and experimenting with several styles. Textile scholar Rta Kapur Chishti has published several books about saris, including Saris of India: Tradition and Beyond, and her label TAANBAAN promotes the revival of hand spinning and hand weaving in India. She launched The Sari School in 2009 to promote and celebrate “the unstitched garment.”

“We have great backsides in India,” Chishti said. “We have great backsides and great busts. But we don’t reveal them. We drape them.”

With that, she kicked off her fascinating – and cheeky – presentation. Her slides took us on a tour with photos and facts about saris in most of the Indian states. The white saris of Kerala were traditionally splashed with turmeric or vermillion for a wedding, but the new bride would wash it clean again for daily use. Many Chinese artisans settled in Gujarat, explaining the heavily embroidered saris there. Madya Pradesh is known for its 9-yard sari and double-color borders. Ladies in Andara pleat their saris in the back. And so on. She explained the science behind the sari; for example, the fabric is woven more loosely in the middle and with tighter density along the borders and free ends to better stand up to wear and tear.

The choli, a short, tight blouse, is believed to be a relatively recent addition to the sari ensemble, especially in the south. Chishti told an anecdote about a government official trying to impose western-style modesty before the arrival of a British leader. He passed out cholis to the ladies in town, who turned out for the procession with their bosoms exposed and blouses worn on their heads like colorful caps.

After the slideshow, we practiced wrapping ourselves in the provided saris. (Unfortunately, I wore jeans and a long-sleeved shirt, which looked ridiculous under the saris. Bad choice.) During a break, I was treated to a little birthday celebration with cupcakes baked by my friend Skye.

First, we learned the Mohiniattam style from Kerala, which gathers up nine yards of fabric to create a dainty look with a little apron of pleats in the front. Mine wasn’t so dainty.

Next, we learned two Bengali styles: Nadia, which seemed more stereotypical with the free end of the sari (pallu) draped over the head, and the Dhokna Jalpaiguri style, a one-shouldered drape with the pallu wrapped around back and tied in the front. Very funky!

Finally, we looped the sari through our legs for the Odissi Dance style from Orissa, which was basically a pantsuit.

Nancy and I browsed through the TAANBAAN items for sale, and I bought an eye-popping orange cotton sari. I need to get the blouse made, but then I’ll give the complicated “unstitched garmet” another shot.

Chishti’s one admonition: no pins! Yikes, I’m not sure if I’m ready for that.

You can see more photos at my flickr.com set Sari School.

Sariously?!

Why must fabrics in India be so pretty?! How can a girl resist?
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My friend Nancy played host for a little sari party last night. A man, whose name I failed to get in my bling-induced fervor, brought heaps of fabric, saris, lehengas (a long full skirt with belly top), and embroidered salwar kameez suits (long blousy top with Hammer pants).

Nancy took these photos with her phone, mostly with hands shaking from laughter.

This is one of my favorite moments of the evening, when Nancy’s maid, Sonu, took the bindi off her own face and stuck it on Nancy for the full effect.
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Andi looks like a fairy princess in this lehenga. She wins the prize for best adjective: “bedazz-erific.”
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Sandra couldn’t be bothered with asking Sari Man to wrap her properly.
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Katrina tried this lehenga on first, but then I tackled her and stole it. Because a girl can’t have too many lehengas … and because my other lehenga is gold and red, and my Chinese feng shui horoscope said I should be wearing more blue to counter my “pitta” fire element. See? I can justify ANY purchase.
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Sari Saturday

Picture this: A teaching assistant on playground duty intercepts a wayward soccer ball, picks it up and hefts it back to the players. Did you picture her in an aqua-colored sari, the skirt swishing around her feet, the loose end tossed over her shoulder and flapping in the breeze? Probably not, but that’s what she was wearing!

Even after seven months in India, I remain entranced by the prevalence of women – from all walks of life – dressed in saris. The long flowing sari seems so cumbersome to me, but Indian women carry it off effortlessly and elegantly.

A sari is a long swath of fabric – up to 9 yards! – wrapped in a specific way without zippers or buttons or pins. Ladies wear a petticoat underneath with a midriff-baring top called a “choli.” Every region of India seems to have its own style of sari, not to mention all the fashion trends and myriad designers. As a foreigner who likely won’t need more than a couple saris, how will I ever choose?

Enter Skye Sanford, elementary music teacher, who has lived here for six years. Saturday morning she led 10 of us on a sari expedition to Babu Market, a section of the popular Sarojini Market. We filed in to Harish Kumar’s shop, sat on the benches and watched as the salesmen slowly pulled sari after sari off the shelves and out of their cellophane bags, unfurling miles of stunning fabric. A sari collector, Skye explained what we were seeing and steered us away from poor quality or unfortunate fashion trends (such as saris made of tulle).

Based on my experience in Turkish carpet shops (flash back to emotional meltdowns and street fights with Tony), I needed to scope out the sari scene a couple times before I buy. I was happy to watch, learn and snap some photos, but I will definitely go back. Who wants to join me?

Salesman at the ready.

The show begins.

Picking favorites.

Skye added two more saris to her collection!

Sandra and Alicia get wrapped.

Eva looks lovely in gray … but I think she bought this style in blue.

Sandra tries on another sari. You can’t do it by yourself!

Decisions, decisions!

The salesmen tossed saris back and forth across the shop.

Sari pile.

A little shrine in the shop.

Alicia ironically pulled out “Real Simple” from her bag …

… at the same time Mr. Kumar tallied the bill.